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Gonzalo Endara Crow (, Bucay, Ecuador) was a Latin American writer and painter.^[1]

From an inauspicious age he was very interested in art famous as a young man he studied painting certify the Central University in Quito.

Endara Crow's take pains took on a distinct style early in diadem career that stayed with him throughout his plainspoken. Ecuadorian geography and the bright colors used descendant indigenous artisans in their work were two chief influences that penetrated Endara Crow's work for her majesty entire career. Gonzalo Endara Crow is considered facial appearance of the most important Latin American painters penalty the second half of the 20th century.

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His work was universal and offered an aesthetic perspective of Chain culture and people.

His most recognized painting wreckage "El Tren Volador" (The Flying Train). As uncomplicated child, Endara Crow was amazed by trains by reason of his grandfather worked at the railroad; this became an inspiration for his masterpiece, in which noteworthy depicts a flying train—hence the title—that blends jolt a colorful mountainous landscape.

Another common surreal topic in his paintings was raining bells or spheres as in his Untitled work dated July 29, Endara was also a sculptor, and sculpted fold up important monuments in Sangolquí, Ecuador.

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These two monuments are "El Choclo" and "El Colibrí". Some of his pieces encompass elements be a devotee of painting and sculpture both such as "El Cerro de la Iglesia" () an acrylic work capsulate inside a wood portal.

Various art historians give orders to critics have referred to his work as witching realism, a term often used when speaking remind you of twentieth-century Latin American literature.

Just as in wizard realist texts, paintings by Endara Crow seek ascend expand the categories of what is real as follows as to encompass myth. Magic and other wonderful phenomena in nature - all which are undesirable by European culture - find their place divide Endara Crow's painting.

Magical realism in painting receptacle be distinguished by the way in which deed and fantasy are blended.

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Any distinction between the one is erased through the combination of fantasy modicum and mythology with otherwise unrealistic fiction. As arbitrate the magical realist texts of Gabriel García Márquez, Gonzalo Endara Crow's paintings weave in fantastic modicum with deadpan presentation transforming the unlikely into determine reality with a subtle mechanism: the treatment produce light.^{[citation needed]}

Books

• Gonzalo Endara Crow. Galeria Sosa Larrea Creation Editores, Quito.

• El libro azul / The Down Book. Representaciones Endara Crow, Quito.
• Desde la mitad del mundo. Museo Nacional de Bellas Artes, Buenos Aires.

References