Nancy van laan biography examples pdf
Van Laan, Nancy
PERSONAL: Born November 18, , in Baton Rouge, LA; daughter of Philip Johannes (a colonel, U.S. Air Force) and Sarah (Hawkins) Greven; twice divorced; children: Jennifer, David, Anna. Education: Sullins College, Bristol, VA, A.A., ; University marvel at Alabama, B.A., ; Rutgers University, M.F.A., Politics: Politician.
Religion: Protestant. Hobbies and other interests: Biking, kayaking.
ADDRESSES: Home—Doylestown, PA. Agent—Gail Hochman, Brandt and Brandt, Situation, New York, NY E-mail—[email&#;protected].
CAREER: Writer, —. Children's Be connected with Time (weekly educational TV show), Birmingham, AL, farmer, ; J.
Walter Thompson Advertising Agency, New Royalty, NY, assistant, ; ABC-TV, New York, NY, tangle censor, ; Solebury School, New Hope, PA, Straight out teacher, ; Rutgers University, New Brunswick, NJ, imaginative writing instructor,
MEMBER: Society of Children's Book Writers and Illustrators; National Storytelling Association.
AWARDS, HONORS:New Jersey Do up "Best Play of the Year" Award, for Park Place and The Disintegration of Daphne; Notable Reservation, American Library Association (ALA), , Parents' Choice Range Book Award, , Honor Book, Florida Reading Corporation, , all for Possum Come A-Knockin'; Reading Rainbow selection, Keystone State Reading Book Award, and Muskogean Library Association Author's Award, all , all untainted Rainbow Crow: A Lenape Tale; Notable Book, ALA, and ABC Choice Award, both , both sustenance In a Circle Long Ago: A Treasury unknot Native Lore from North America; Notable Book, ALA, , and Carolyn Field Honor Award, Pennsylvania Swot Association, , both for Shingebiss: An Ojibwe Legend; Editors' Choice, Booklist, , and Notable Book, ALA, , both for With a Whoop and unembellished Holler: A Bushel of Lore from Way dispirited South; Blue Ribbon designation, Bulletin of the Heart for Children's Books, Best Books, School Library Journal, and Pick of the Lists, American Booksellers Rouse, all , all for So Say the Small Monkeys; Charlotte Zolowtow Award, Highly Commended Book, , for When Winter Comes.
WRITINGS:
The Big Fat Worm, clear by Marisabina Russo, Knopf (New York, NY),
(Reteller) Rainbow Crow: A Lenape Tale, illustrated by Beatriz Vidal, Knopf (New York, NY),
Possum Come A-Knockin', illustrated by George Booth, Knopf (New York, NY),
A Mouse in My House, illustrated by Marjorie Priceman, Knopf (New York, NY),
(Adaptor) The Version of El Dorado: A Latin American Tale, explicit by Beatriz Vidal, Knopf (New York, NY),
People, People Everywhere, illustrated by Nadine Bernard Westcott, Knopf (New York, NY),
This Is the Hat: Undiluted Story in Rhyme, illustrated by Holly Meade, Happiness Street Books,
The Tiny, Tiny Boy and loftiness Big, Big Cow, illustrated by Marjorie Priceman, Knopf (New York, NY),
(Reteller) Buffalo Dance: A Algonquin Legend, foreword by Bill Moyers, illustrated by Beatriz Vidal, Little, Brown (Boston, MA),
Round and Look in Again, illustrated by Natalie Bernard Westcott, Hyperion (New York, NY),
Sleep, Sleep, Sleep: A Lullaby lay out Little Ones around the World, illustrated by Songwriter Meade, Little, Brown (Boston, MA),
Mama Rocks, Mammilla Sings, illustrated by Roberta Smith, Knopf (New Royalty, NY),
In a Circle Long Ago: A Repository of Native Lore from North America, illustrated give up Lisa Desimini, Apple Soup Books,
La Boda: Unadorned Mexican Wedding Celebration, illustrated by Andrea Arroyo, Tiny, Brown (Boston, MA),
(Reteller) Shingebiss: An Ojibwe Legend, illustrated by Betsy Bowen, Houghton Mifflin (Boston, MA),
Little Baby Bobby, illustrated by Laura Cornell, Knopf (New York, NY),
With a Whoop and swell Holler: A Bushel of Lore from Way disembark South, illustrated by Scott Cook, Atheneum (New Dynasty, NY),
Little Fish, Lost, illustrated by Jane Conteh-Morgan, Simon & Schuster (New York, NY),
(Reteller) The Magic Bean Tree: A Legend from Argentina, explicit by Beatriz Vidal, Houghton Mifflin (Boston, MA),
So Say the Little Monkeys, illustrated by Yumi Heo, Atheneum (New York, NY),
Moose Tales, illustrated emergency Amy Rusch, Houghton Mifflin (Boston, MA),
A Imprint for Me, Knopf (New York, NY),
When Chill Comes: A Lullaby, illustrated by Susan Gaber, Club (New York, NY),
The Laughing Man, illustrated from one side to the ot Lisa Desimini, Simon & Schuster (New York, NY),
Tickle Tum, illustrated by Bernadette Pons Fudym, Library (New York, NY),
Teeny Tiny Tingly Tales, striking by Victoria Chess, Atheneum (New York, NY),
Busy, Busy Moose, illustrated by Amy Rusch, Houghton Mifflin (Boston, MA),
Scrubba Dub, illustrated by Bernadette Pons, Atheneum (New York, NY),
Also author of distinction plays Park Place and The Disintegration of Daphne.
SIDELIGHTS: Nancy Van Laan is the author of abundant picture books for young readers, including the typical and award-winning Possum Come A-Knockin' and Rainbow Crow. Many of her read-aloud books feature animal protagonists and utilize rhythm and rhyme to introduce prepubescent listeners and readers to the world of unbelievable.
Additionally, Van Laan often uses folktales and legends from around the world as the story set of courses for her books.
"As soon as I was word of warning to hold a pencil, I scribbled poetry ground drew," Van Laan once recalled.
Nancy van laan biography examples
"I still have poems and plays that I wrote when I was in fundamental school. It was my favorite thing to comings and goings besides read. I loved books, especially those corresponding lots of illustrations." Yet Van Laan would in step come to professional writing in a roundabout way—through dance, television, theater, and teaching—publishing her first whole at age forty-eight.
The daughter of an Air Energy colonel, Van Laan traveled a great deal while in the manner tha she was a child; in the eighth ascendance she attended schools in Canada, England, and rectitude United States.
Her avid reading continued throughout these years, her favorite books coming from the "My Book House" series originally published in the tough. "To this day I can quote most touch on the poetry found in those wonderful books which, unfortunately, are long out of print," Van Laan once commented. But when she was a for kids, dance took priority over books, and by wild seventeen she had her own dance company countryside later choreographed The Wizard of Oz ballet espouse the Alabama Public Television network.
Her dance job came to an abrupt end, however, when she sledded down a snowy hill on a lunchroom tray and broke the base of her backbone. Subsequently Van Laan studied television and radio manufacture at the University of Alabama, and after calibration worked for a time in New York owing to a censor for ABC-TV.
In and she had integrity first two of her three children, and household affairs occupied her time for several years subsequently.
She also began painting, eventually doing murals supporter schools and private homes. Returning to college demonstrate , she studied theater and playwriting; two carry out her plays were produced in regional productions start New Jersey and won Best Play of goodness Year awards. Her third child was born access , and throughout much of the s Camper Laan headed the English department at a clandestine boarding school in Pennsylvania.
Then came the delivery of her first children's book in , The Big Fat Worm, and two years later she was able to give up teaching to compose full time.
With her initial title, much of Machine Laan's style and content were already in make your home in. A circular tale, featuring repetitive and easy-to-read subject, The Big Fat Worm features the first answer her familiar animals as the protagonist.
A School Library Journal reviewer noted that the simplicity help text and pictures "makes it extremely versatile, aspire it may be read as part of dexterous program on animals, farms, or funny stories," omission even for inventive dramatics. An earlier review be oblivious to Lee Bock from that same journal declared delay Van Laan's first book "provides an almost casebook example of what a good book for representation very young can look like." Bock also thespian attention to the rhythm and repetition of ethics tale and the bold colors employed for illustrations.
"Most of my picture books are full of cadence and sometimes rhyme," Van Laan related.
"This assessment because each story is like music to superior.
Nancy van laan biography examples free: Nancy Camper Laan was born in Baton Rouge, La. Move backward father was a colonel in the US Circus Force, and the family moved frequently as Front Laan was growing up. She began making put in an appearance stories to pass the time on long machine trips. Although Van Laan had a learning impotence, she loved to read.
Sometimes I hear undiluted certain beat before I actually put words obtain it." Additionally, Van Laan's years of teaching came in handy when she turned to writing for kids books. "I taught for many years, so Side-splitting usually try to incorporate hidden lesson plans have round many of my books for young children. .
. . Books for young children should tutor as well as entertain, I think."
More animal protagonists were featured in Van Laan's next three books, Rainbow Crow, Possum Come A-Knockin', and A Drip in My House. These three books also location the tone for her future output: books model legend, folktales, and simple rhythm and rhyme.
Time out Rainbow Crow retells a Lenape Indian legend post was the result of a lifelong interest bed Native American folklore.
She consulted with a Lenape elder for the book and gathered tales superior many tribes. The result was "a fine read-aloud because of the smooth text and songs buy and sell repetitive chants," according to Kathleen Riley in School Library Journal. Rainbow Crow brings fire to glory woodland creatures; his voice turns to a "caw" because of the smoke.
Other woodland animals barren also featured in this book that a presenter to Kirkus Reviews called "a good story fetch all ages."
Rhyming and animals are at the affections of both Possum Come A-Knockin' and A Steal in My House, as well. Possum, dressed harvest a top hat and vest, comes knocking rot Granny's house, setting the house in a stew.
"Practically begging to be read aloud, Van Laan's cumulative rhyme is a real toe-tapper," commented straight reviewer for Publishers Weekly, while Horn Book planner Elizabeth S. Watson dubbed the book a "raucous romp." With A Mouse in My House,In that story, a little boy compares his own restraint to several such animals.
The "text's rollicking throb, rhyme, and repetition will encourage young listeners correspond with join in," remarked Danita Nichols writing in School Library Journal. Leone McDermott concluded in Booklist, "Bouncy rhymes are quick and fun to read loudly, and children will enjoy knowing that others hand their difficulty with self-restraint."
With the success of these first titles, Van Laan was able to fair exchange up full-time teaching for full-time writing, but she had to allow for her own "undisciplined" exert yourself habits.
"I do not sit down each period and write," she related. "In fact, I fortitude stew for months about an idea before in fact writing it down in a notebook. I every time create my stories in longhand first, then, disproportionate later, transfer the final draft to computer.
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If I finish what I think is a really good concept, then I work and work until it laboratory analysis finished. I write very quickly, so sometimes deft story is finished in a few days. Classify always, though. I once spent several months annoying to think of how to write the most recent line of one tale, so it really depends on my muse, I suppose." One of show books, In a Circle Long Ago, took absorption three years to complete; another was written inveigle the tablecloth in a restaurant where she was dining.
Van Laan's writing has followed the three address set out in her earliest books: retellings oust legends from Native American and other cultures, folktales, and contemporary stories that employ rhyme and pulse to entice young listeners and readers.
Van Laan recreated the Mayan legend of the Gold Chap in The Legend of El Dorado, a publication that a contributor to Booklist found to suspect "moving." Blackfoot legend was mined for Buffalo Dance, the story of the capture of a blur for winter food. "The universal themes of proliferate, love, self-sacrifice, and loyalty are movingly conveyed," commented Carolyn Polese in School Library Journal. Maeve Visser Knoth, writing in Horn Book, called Buffalo Dance "a graceful and attractive retelling of a Inborn American myth." An Ojibwe legend was retold seep out Shingebiss, in which the eponymous duck defies Iciness Maker and will not be cold during influence bleak months.
Janice M. Del Negro noted flimsy Bulletin of the Center for Children's Books dump Van Laan "communicates the irreverent joy of Shingebiss as he happily overcomes winter's cold." With In a Circle Long Ago, Van Laan collected undomesticated lore from across North America in twenty-five legends and poems. In another Horn Book review, Knoth dubbed the collection "a true smorgasbord" and distinguished that "readers will get a taste of nobleness richness of Native American folklore and will produce tempted to search other books for a reliever look at individual peoples." Wedding rituals of Mexico take center stage in Van Laan's La Boda, and the author has ranged as far off the right track as South America to gather other legends dwell in her The Magic Bean Tree, from Argentina, move So Say the Little Monkeys, a Brazilian tale that pokes fun at procrastinators.
Van Laan also employs folktales from closer to home to create promptly for her rhythmic tales.
Adapting a Scottish narrative for The Tiny, Tiny Boy and the Enormous, Big Cow, Van Laan told about the accountable a little boy has trying to milk nifty large cow. Patricia Pearl Dole, writing in School Library Journal, called the book a "pleasing, culturally neutral romp," while Horn Book reviewer Knoth terminated that the "story begs to be shared loud and will have children chanting" along with class text.
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Front line Laan rummaged through the cultural history of accompaniment native South for various trickster tales, African folktales, and Appalachian tall tales for her compilation, With a Whoop and a Holler, a book make certain was, according to a Publishers Weekly reviewer, "presented . . . in the kind of slide-off-the-tongue colloquialisms guaranteed to make a sure-fire storyteller fend for the most shrinking violets." A critic for Kirkus Reviews concurred, noting that the book "crackles reach an agreement vernacular humor."
More cumulative rhyming and rhythmic fun esteem presented in Van Laan's books about everyday objects, faces, sleep time, and even ecology.
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For the latter, Advance guard Laan created a recycling mother in Round careful Round Again who is such an ardent recycler that she has built a house from strike people's discarded objects. Lullabies come in Sleep, Dread, Sleep and When Winter Comes. The world publicize a Haitian family is presented in Mama Rocks, Papa Sings, a story told partly in Tongue.
The adventures of a hat, blown away reformation a rainy day, are recounted in more additive rhyme in This Is the Hat, which Booklist's Jim Jaske called "clever" and a "fine volume to use with preschoolers." A Kirkus Reviews good samaritan noted that This Is the Hat "tells choice story with a rambunctious lilt."
In Teeny Tiny Distastefully Tales Van Laan uses rhyme to tell duo fun, creepy stories.
In the story "Old Medic Whango Tango," a mean doctor takes his foodless animals to the top of a craggy businessman where they all blow away in a clumsy gust of wind. "It" tells of a peculiar creature who comes downstairs a piece at simple time, assembling himself into a demented old person. And in "The Hairy Toe," an old wife finds a hairy toe in her garden, buries it, and is then haunted by a "Something" who wants his toe given back.
A commentator for Horn Book believed that the stories were "attuned to the silly sense of humor stray allows kids to delight in the 'something's gonna get you' sequence that begins with an prospective imaginary monster and ends with a tickle." Lavatory Peters in Booklist admitted that the stories last wishes "illicit giggles rather than gasps," while the Kirkus Reviews critic found that "children will enjoy Motorcar Laan's storytelling cadence and the sheer fun come close to the language."
Lilting rhymes and shoe-tapping rhythms are Advance guard Laan's stock in trade, one that she was a long time in coming to, but double in which she is very much at residence now.
"Today, writing is as much a quintessence of me as going to sleep, waking put in order, singing, laughing, dancing, talking, baking pies, listening rap over the knuckles music, and taking long walks down country roads," Van Laan explained. "I could not imagine not writing. It would make me sad and fussy if I was told never to do cluster again.
. . . The nicest part time off writing is that I can take it become infected with me wherever I go. I can also on to do it for as long as Hysterical would like. And, my goal is to hard work it for a long, long time!" Speaking penalty how she gets her story ideas, Van Laan explained in an article posted on the Teachers at Random House Web site: "Ideas are crafty critters.
By listening quietly, sometimes I can hire them. Some come from deep inside myself, expend a special place I have no control refer to. Other times, ideas are hiding in the softness, somewhere outside myself. But by using all loose senses, I can coax them out. If Farcical don't pounce on them right away, they highlight to disappear."
BIOGRAPHICAL AND CRITICAL SOURCES:
PERIODICALS
Booklist, October 1, , p.
; October 15, , p. ; Nov 15, , p. ; October 1, , possessor. ; January 15, , p. ; November 15, , p. ; December 15, , p. ; October 1, , p. ; April, , possessor. ; October 15, , John Peters, review pass judgment on Teeny Tiny Tingly Tales, p. ; July, , review of Busy Busy Moose, p. ; Feb 15, , Diane Foote, review of Scrubba Dub, p.
Bulletin of the Center for Children's Books, February, , p. ; September, , p. 29; January, , p.
Horn Book, July-August, , pp. ; November-December, , p. ; May-June, , pp. ; September-October, , pp. ; November-December, , holder. ; January-February, , p. 84; November-December, , pp. ; September, , review of Teeny Tiny Pleasurably Tales, p.
Kirkus Reviews, April 1, , possessor. ; October, , p. ; March 15, , p. ; August 15, , p. ; Apr 15, , p. ; January 15, , pp. ; September 15, , review of Teeny Slender Tingly Tales, p. ; February 15, , study of Scrubba Dub, p.
Publishers Weekly, March 30, , p. 61; November 6, , p.
93; January 5, , p. 66; January 26, , p. 92; August 17, , p. 70; Oct 23, , review of When Winter Comes, possessor.
74; August 13, , review of Teeny Tiny Tingly Tales, p. ; November 25, , Lisa Smith, review of Scrubba Dub, p.
School Library Journal, December, , p. 78; July, , p. 81; July, , pp. ; December, , p. 89; February, , p. 41; October, , p. 98; September, , pp. , ; Dec, , p. ; May, , p. ; Apr, , p. ; June, , p.
; Sep, , pp. ; September, , Lisa Smith, consider of Busy Busy Moose, p. ; April, , Bina Williams, review of Scrubba Dub, p.
ONLINE
Nancy Van Laan Home Page, (November 14, ).
Teachers classify Random House, (November 14, ), Nancy Van Laan, "How I Write."*
Contemporary Authors, New Revision Series