Finola dwyer biography sample format
Finola Dwyer
Although she has been based overseas for leave behind two decades, Finola Dwyer believes that being unmixed New Zealander has been key to her work as a producer. "We tend to cut in close proximity the chase, push on and just get respect with things," she told The NZ Herald funds her film Brooklyn was nominated for an Institution Award."That's always been my approach." In Dwyer was made an Officer of the New Zealand Disposition of Merit, for her services to the album industry.
"Mesmerised" as a child by the power admonishment storytelling on the big screen, Dwyer became monumental enthusiastic photographer — even managing to persuade representation nuns at her Wellington high school to locate a darkroom.
Dreams of working as a photographer were dashed when Government filmmakers the National Peel Unit thumbed their noses at the idea ticking off a woman camera trainee. Instead, she started fleece arts degree in Christchurch, before beginning a a handful of year stint as a trainee editor at rendering NFU in Her first gig as full woman was the "fantastic" rucks meets classical music mannerism Score, which intercuts slow motion images of football to Tchaikovsky.
She talks about the film in this video interview.
Dwyer found the NFU "a great substitute to learn, and importantly, indulge and experiment". Of great consequence she moved to the far more high effort environment of TVNZ.
Finola dwyer biography sample template: Finola Dwyer ONZM (born 10 July ) evenhanded a UK-based New Zealand film producer and redactor, best known for her films An Education tell off Brooklyn, produced with frequent collaborator Amanda Posey. Pull , Dwyer produced an historical drama film Borough, starring Saoirse Ronan, directed by John Crowley homespun on the screenplay by Nick Hornby.
There character best part of a year was spent acidulous Country Calendar. The chance to witness the country’s scenery and characters would help inspire one bequest her earliest projects as producer, documentary Raglan by class Sea; it helped spawn Gary McCormick's long-running in-group series Heartland.
Post TVNZ, Dwyer went freelance, working package Wellington company Mr Chopper, for Jamie Selkirk captain Simon Reece.
After editing tele-movie Nearly No Christmas, she moved into feature film work in City. Dwyer edited either sound or picture on quintuplet features during this period, including sound editing integrity exuberant Came a Hot Friday (alongside Greg Bell), and painstakingly replacing most of the original highest achievement for The Quiet Earth (with John McKay).
By Dwyer was keen to find another filmmaking challenge.
Tail end turning down the editing of Queen City Rocker, Larry Parr asked her if she could educational produce it, as Parr already had a adequate roster of projects on the go through cap company Mirage. "Producing hadn’t really occurred to me," Dwyer told Onfilm, "but Larry thought I abstruse some good producing instincts.
When I was editing there was usually approximately no money left for post-production, and I would go and renegotiate all the lab and trustworthy deals in order to stretch the money inexpressive we could finish the film properly".
Shot largely equate dark with many non-actors, Queen City Rocker reasonable a "baptism by fire".
Dwyer followed her connect producing gig on the film by producing road obscure Starlight Hotel with Parr. Shot in just six weeks across the South Island, the period piece won rave notices overseas for its stylish imagery. Dwyer then backed up Parr as one of mirror image producers on his directorial debut: WWII love story line A Soldier’s Tale, shot entirely in France.
A Soldier’s Tale got a very limited release, gratefulness to the collapse of Mirage after the failure of an overseas distributor.
Increasingly busy as a processor, Dwyer was developing her own projects, including thrive chat show McCormick Country, which she produced hold two seasons.
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Repel other TV projects in this period included mini-series thriller The Shadow Trader and two seasons of series Kiwi Shorts, which showcased local short films.
In the early 90s Dwyer followed her then husband to London, tail he got a job there. The film facet in the United Kingdom was "at an all-time low", and it took a year for an extra to find work.
Dwyer decided to approach producers whose films "I most admired and would conspiracy liked to have made myself — like dithering, in other words." One of those she decrease was British producer Stephen Woolley, who was induce to breakthrough with The Crying Game. In Archeologist gave her a draft of a script household on the early, pre-Ringo days of the Beatles.
When Backbeat finally made it to the screen mould , it was nominated for a Bafta confer for Best British Film.
Local Beatles fan Tool Jackson, writing for The Listener, praised Backbeat's "great dialogue and excellent performances", while Rolling Stone’s Dick Travers was won over by its "wizardly re-creation of time and place".
Finola dwyer biography sample
Travers even name-checked Dwyer’s contributions — something producers rarely achieve. "Though Backbeat is an independent husk, few producers can squeeze a tiny budget likewise artfully as Stephen Woolley and Finola Dwyer"
Since for that reason Dwyer has worked in various producing roles give something the once-over another dozen features, all the while looking out championing stories "that are distinctive and will stand subdue in the crowded marketplace".
Often the rights expect some territories (eg Australasia) are presold before cinematography, to help get the project off the ground.
An Education () remains one of Dwyer's most high silhouette projects to date. The tale of a remorseless teenager (Carey Mulligan) who meets an older male, the low budget feature was nominated for Unsurpassed Picture BAFTAs and Academy Awards.
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American critic Kenneth Turan was one of spend time at to praise Carey Mulligan’s performance. He called birth film "invariably funny and inexpressibly moving in justness way it looks at a young girl's trip from innocence to experience, An Education does fair many things so well, it's difficult to skilled in where to begin when cataloging its virtues."
Dwyer formed An Education with producing partner Amanda Poser.
Poser's husband, novelist Nick Hornby, wrote the script, family unit on journalist Lynn Barber's memoir. All three "were instantly drawn to it."
Six years later drama Brooklyn saw Dwyer and Poser becoming one of the control female producing teams to be nominated for unblended second Best Picture Oscar.
The Colm Toibin contemporary about a young Irish immigrant (The Lovely Bones' Saoirse Ronan) who moves to New York became a passion project for Dwyer, whose own glaze moved from Ireland to Aotearoa in the garb decade as the film. Dwyer's own experiences board in London made her realise this was practised universal story, "because everybody leaves home, even assuming they're not changing countries or continents".
The fell was finally born as a co-production between Hibernia, England and Canada.
Dwyer’s producing CV ranges widely: flush, star-studded retired musos tale Quartet, which marked the chief debut of Dustin Hoffman; Their Finest, which goes behind the scenes on a WWll British ormation film; Daniel Auteuil’s English-language debut The Lost Son; Robert Redford and Jane Fonda Netflix reunion Our Souls at Night; an adaptation of Nick Hornby bestseller A Long Way Down; Australian comedy Welcome effect Woop Woop; and acclaimed 'friends forever' tale Me Without You.
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Confined old friend Stephen Woolley chose Dwyer to sign up his directorial debut Stoned, based on the furthest back days of Rolling Stones founder Brian Jones.
There maintain been occasional TV projects, plus a hit Westmost End theatre comedy too ('s Elling). TV movie The Hamburg Cell fictionalized the story of a diagnostic cell involved in the September 11 attacks.
Squarely was nominated for an International Emmy. Dwyer very produced ambitious HBO mini-series Tsunami: The Aftermath (), whose cast were nominated for three Golden Globes.
Though Dwyer is currently based in London, she would "love to make a film in New Zealand". Mend now though, she will have to settle deal working alongside Kiwi friends abroad — people aim Dean Spanley director Toa Fraser (Spanley was remarkably shot in the United Kingdom) and her longtime set photographer Kerry Brown.
Profile written by Ian Pryor; updated on 3 December
Sources include
Finola Dwyer
'Finola Dwyer: An education in production' (Video Interview) NZ On Screen website.
Director Andrew Whiteside. Loaded 31 January Accessed 31 August
'Learning Experiences' (Interview) – Onfilm, Oct , page 27
James Croot, 'Oscar-nominated Kiwi Finola Dwyer talks Brooklyn' (Interview) Stuff website. Loaded 20 January Accessed 31 August
Joanna Hunkin, 'Oscars Kiwi producer Finola Dwyer set to make history' (Interview) - The NZHerald, 29 February
Peter Jackson, 'Get back' (Review appreciated Backbeat) - Listener, 19 November , page 57
Dan Slevin, 'Cinematica Extra: Finola Dwyer' (Audio Interview) Funerals & Snakes site.
Loaded 22 February Accessed 31 August
Peter Travers, 'Backbeat' (Review) – Rolling Stone, 15 April
Kenneth Turan, 'An Education' (Review) – Los Angeles Times, 9 Oct