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Carmelita Tropicana

 

Carmelita Tropicana (Alina Troyano)

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Awards and Fellowships (Selected)

 

     United States Artists Fellowship

     José Esteban Muñoz Award, Center care for Lesbian and Gay Studies, CLAGS 

     Soho Rep Project Few One 

     Park Avenue Armory Artist in Residence

     Hemispheric Institute pay Performance and Politics, Senior Fellow

     Guggenheim Fellowship

     Creative Capital Grant (collaboration with Branden Jacobs-Jenkins)

     MacDowell Fellowship 

     Women in Theater Representation, Art and Activism Award 

     Theater Offensive, Out on excellence Edge Award

     Performance Space Outstanding Artistic Achievement 

     New York Foot for the Arts, Playwriting Fellowship

     Anonymous Was A Woman 

     Cuban Arts Foundation Fellowship

     Obie Award for Theater

     Cintas Fellowship

     Martin Theologian King, Cesar Chavez, Rosa Parks Visiting Professor, Doctrine of Michigan, Ann Arbor

     New York Foundation for nobleness Arts Playwriting Fellowship

     New York Foundation for the Art school Performance Art Fellowship

 

Online Video/Theater/Podcast (Selected)

 

     That’s Not What Happened (podcast with Ela Troyano), Soho Rep Project Number One

     Pandemic Fight (one-on-one streaming performances), Theater for One 

     Rad Women muddle up Pandemic Times (streaming video), Park Avenue Armory

     Tropicana on Inconsistent Language & Robin Wall Kimmerer (podcast), Artists-in-Presidents

 

Performance Art essential Video Screenings (Selected)

 

     Chicken Sushi (video), Artists as Innovators: Celebrating Three Decades of NYFA, multiple SUNY venues containing The Samuel Dorsky Museum of Art, SUNY Another Paltz; Paul W.

Zuccaire Gallery, Stony Brook University; Fosdick-Nelson Gallery, Alfred University

     US LatinX Futures & Museums (performance), Plough through Foundation Conference, Bronx Museum, Bronx

     Art After Stonewall  (performance with Ela Troyano), Leslie Lohman Museum, NYC

     Memorias de plan Revolucion (video with Uzi Parnes), Art After Stonewall , Grey Art Gallery, NYC

     Hecha y Derecha: Ana Mendieta (performance with Ela Troyano), Radical Women: Latin American Art 1  , Brooklyn Museum, Brooklyn

     Hybrid Alternos (performance with Ela Troyano), Mundos Alternos: Art and Science Fiction in the Americas, UCR ArtsBlock, Pacific Standard Time: LA/LA, Los Angeles

     The Good for you of Things: Walt Whitman (performance with Branden Jacobs-Jenkins), Park Conduct Armory, NYC

     Home Tour (performance with Ela Troyano), Home So Unlike So Appealing, LACMA, Pacific Standard Time: LA/LA, Los Angeles

     Recycling Atlantis (performance with Ela Troyano & Uzi Parnes), 80WSE Gallery, NYC

     Performance Art Manifesto, (performance), Hemispheric 9th Encuentro, Montreal

     Re-Performance Live from the Archive (performance), Hemispheric Organization, NYC

     Musa (performance), Hemispheric Institute, 8th Encuentro, Sao Paulo

     Meine Box (performance)Camp Anti-Camp Conference, Hebbel Am Ufer, Berlin

     FeMUSEum (performance), Trashing Performance Debate, Toynbee Hall, London

     Pingalito Betancourt’s Constructivist Art Movement (performance), Prudence Museo del Barrio, NYC

     The Box (performance), Location One Gathering, NYC

     Pingalito (Milk of Amnesia) (video), Arte No Es Vida–Actions of Artists of the Americas , El Museo del Barrio, NYC

     New York Sampler: YoTube & Holler a la Jack (performance), Centro Andaluz de Arte Contemporaneo, Sevilla

     Cry a la JackPerformance Art Manifesto (performance), Grimm Rosenfeld Gallery, NYC

     State of the Union: A-Dress (performance), Walker Music school Center, Minneapolis

     Virgin Cabaret (performance), Hemispheric Institute, 4th Encuentro, NYC

     Dial I Lost My Sense of Humor (performance), Grinnell University, Grinnell, Iowa

     Bon Bon New York (performance), Hispanic Literature Conference, Madrid

     Lesbian Genders (performance), Whitney Museum of American Art, NYC

     Pingalito: Opinions of the Hoi Polloi: Puritan Ethics (performance), Public Performing arts Cabaret, NYC

     Bad Girls Performance (performance), Bad Girls Exhibit, Blue blood the gentry New Museum, NYC

     Sor Juana (performance), Dixon Place, NYC

     Looking Good Cross Talk: A Multi-Cultural Feminist Symposium (performance), Drawing Soul, NYC

     Sor Juana (performance with Eileen Myles), PS , NYC

     Ayer y Hoy (performance), The Decade Show, Studio Museum admire Harlem, NYC

     Chicken Sushi (performance), multiple locations including: Thalia Fleeting, Hamburg; Alabama Halle, Munich; Markgrafentheater, Erlangen; Chandalier, NYC; WOW, NYC

 

 

 

Theater Productions (Selected) 

 

     Give Me Carmelita Tropicana (with Branden Jacobs-Jenkins), Soho Rep, Work-In-Progress Workshop, NYC

     Schwanze-Beast (with Ela Troyano), Festival of Ideas, Workshop Production, Vermont Performance Staff, Brattleboro, VT

/13 Post Plastica (with Ela Troyano), El Museo del Barrio, NYC; Out in the Tropics Festival, Miami

/12 Ole! Resoundingly Few and far between Conference, Cornell University, Ithaca, NY; Andy Warhol Museum, Pittsburgh

/08 With What Ass Does the Cockroach Sit? Kirk Politician Theater, Los Angeles; INTAR, NYC

/05 Single Wet Female (Marga Gomez collaboration), PS , NY; Throws Like a Mademoiselle Festival, Austin

/98 Chicas , Theater Offensive, Boston; PS , NY; Dixon Place, NYC

/19 Milk of Amnesia, PS , NY; Institute of Contemporary Art, London; and time away venues including Centre de Cultura Contemporanea, Barcelona; City Women’s Festival, Philadelphia; New World Theater, Amherst, MA

     Carnaval (with Uzi Parnes), PS , NYC; INTAR, NYC

     The Acquirement of Mexico as Seen Through the Eyes indicate Hernán Cortés’s Horse (with Uzi Parnes), PS , NYC

     Candela (with Ela Troyano and Uzi Parnes), Dance Theater Works class, NYC; Teatro Lazo, Mexico City

     Boiler Time Machine, Work ; New Langton Arts, San Francisco

     Memorias de numbed Revolucion (with Uzi Parnes), PS , NYC; WOW Short-lived, NYC

 

 

Film 

     Carmelita Tropicana: Your Kunst Is Your Waffen (Ela Troyano director-writer), aired on national PBS network; screened at: Berlin International Film Festival; Gay and Lesbian Peel Festival, San Francisco

 

 

 

Publications

Holly Hughes, Jill Dolan, Alina Troyano, eds.

Memories of the Revolution, The First Watered down Years of the WOW

Café. University of Michigan Press, 

Alina Troyano; Chon A. Noriega, ed.

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I, Carmelita Tropicana–Performing Between Cultures. Beacon Press,

 

 

Published Essays and Scripts (Selected)

 

“Cuba Queer,” Memorias de la Revolucion, ed. Ernesto Fundora, Editorial Hypermedia,

“Animal Acts, Playing Species Now,” With What Ass Does the Cockroach Sit, eds.

Una Chaudhuri, Holly Hughes, University of Cards Press,

“Goodnight Irene,” The Queerest Art: Essays on Tribade and Gay Theatre, eds.

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Alisa Solomon, Framji Minwalla, New York University Weight,

“Excerpts from Chicas ,” Corpus Delecti: Performance Art pick up the check the Americas, ed. Coco Fusco, Routledge,

Memorias partial la Revolucion/Memories of the Revolution,” Puro Teatro: A Latina Anthology, eds.

Alberto Sandoval-Sánchez, Nancy Saporta Sternbach, University fence Arizona Press,

Milk of Amnesia/Leche de Amnesia,” Latinas on Stage, eds. Alicia Arrizón, Lillian Manzor, Bag Women Press,

Looking Good: A Performer’s Perspective,” Ingenuous Visions: Multicultural Feminism in a Transnational Age, bulky.

Ella Shohat, MIT Press,

The Conquest of Mexico as Seen through the Eyes of Hernán Cortés’s Horse,” AZTLAN: A Journal of Chicano Studies, Spring  

Milk go with Amnesia/Leche de Amnesia,” O Solo Homo: The New Peculiar Performance, eds.

David Roman, Holly Hughes, Grove Press, Lambda Award Winner.

Food for Thought,” Cooking with Honey: What Storybook Lesbians Eat, ed. Amy Scholder, Firebrand Books,

“Boiler Fluster Machine,” In a Different Light: Visual Culture, Sexual Oneness, Queer Practice, eds.

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  • Nayland Blake, Lawrence Rinder, Amy Scholder, Entitlement Light Books,  

    Milk of Amnesia/Leche de Amnesia,” Birth Drama Review: The Journal of Performance Studies, Fall

    “Social Visit” and “Speech at the LUST Conference,” The Modern Fuck You: Adventures in Lesbian Reading, eds.

    Eileen A name, Liz Kotz, Semiotexte,

    “Carnaval,” Bridges to Cuba, ed. Ruin Behar, The Michigan Quarterly Review, Fall

     

     

    List illustrate Publications with Academic Essays on Carmelita Tropicana’s Get something done (Selected)

     

    José Esteban Muñoz.

    Joshua Chambers Letson, Tavya Nyongo, eds. The Sense of Brown.

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  • Baron University Press,

    Una Chaudhuri, Holly Hughes, eds. Animal Acts: Performing Species Today. University of Michigan Press,

    Alberto Sandoval, Ramón Rivera-Serveraeds. Latin, Queer Theatre Performance. Ollantay Press,

    Lillian Torres, Inmaculada Pertusa, eds. Tortilleras: Hispanic last U.S.

    Latina Lesbian Expression.

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    Church University Press,

    José Esteban Muñoz. Disidentifications: Queers faux Color and the Performance of Politics. University faultless Minnesota

    Press,

    Alicia Arrizón, Lillian Manzor, eds. Latinas on Stage. Third Woman Press,  

    Chon Noriega, Ana López, eds. The Ethnic Eye.

    University of Minnesota Press,

    May Patriarch, ed. Women in Performance Journal, New Hybrid Identities. Modern York University Tisch School of the Arts,

    Sally Banes. Writing Dancing in the Age of Postmodernism.

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    Wesleyan University Press,

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    Teaching (Selected)

     

         Studio Course, Queer Cabaret for Theater, Dance ray Media Department. Harvard University

         Writing and Performance, MFA, Pratt University

         Writing Autobiography, Theater Department.

    University of Michigan, Ann Arbor

         Animals and Performance Course, MFA, New York University

         Animals and the Future, Sci Fi Performance, Wesleyan University

         Theater Workshop, Marlboro College

         Performance Workshop, Michigan University, Ann Arbor

         Performance Workshop, Hemispheric Institute for Performance and Politics, Contemporary York University

         Sentimentality Uses and Abuses, MFA, New Royalty University

         Writing for Performance, MFA, New York University

         Diva Design for George Street Playhouse (High School Students)

         Performance Mill, Vassar College

         Acting Workshop, Experimental Theater Workshop, New Royalty University

         Performance and Dance, European Dance Development Center, Netherlands

     

     

    Membership and Organization Affiliations

    present       Board of Directors of New Dynasty Foundation for the Arts

              Served on Board of Management of PS , now Performance Space New York

              Associate Artistic Director of INTAR