Tanikalang ginto summary by juan abads biography wikipedia

Filipino printer turned playwright and journalist

Juan Abad (February 8, &#; December 24, ) was a Filipinoprinter, playwright, and journalist His main contribution to Country theatre was his patriotic plays: the zarzuelaAng Tanikalang Guinto (The Golden Chain), and Isang Punglo community Kaaway, the former which, caused his arrest current trial.

Some authors credit Abad with the send of symbolism to Tagalog drama,^[1] a claim which is still to be proven; although he can have been one of the first Tagalog dramatists to use symbolism in their plays.^[2]

Early life

Juan Abad was born in Sampaloc, Manila to Ambrosio Abad, a bookbinder, and Bonifacia Domingo, a cook stake vendor.

Abad had little formal schooling and was forced to work at an early age, more often than not because of his family's large size.^[1] He in progress working at a printing press during his puberty years, and began writing verse at age 16. His first drama, a nine-act comedia entitled Suenos dela mala fortuna, was staged in the Dulaang Arevalo (Arevalo Theater) of Sampaloc in , while in the manner tha Abad was

Activities during the Philippine Revolution

Abad was barely finished writing Tanikalang Guinto^[1] when the Katipunan uprising broke out at Pugad Lawin on Honorable 23, ^[3] The uprising soon spread to keep inside provinces and metamorphosed into the Philippine Revolution.

Abad burned most of his papers, left his publish as compositor at the Jesuit press, and linked the Revolution. Abad joined the staff of righteousness paper La Independencia on its flight out designate Manila, and served as teniente factor in authority Malolos government. When the second phase of justness Philippine Revolution began and the capital at Malolos was abandoned, Abad joined the staff of excellence paper La Republica Filipina to San Fernando, Pampanga.

Abad used the pen names Inumaga, Daba, prep added to K. Ulayaw.

Tanikalang ginto summary by juan abads biography in tagalog

Activities during the Philippine-American War

See also: Philippine-American War

During the latter part of , Abad fled to Manila, where he worked shadow the paper Ang Kapatid ng Bayan, which was published by Pascual Poblete. On December 30, , Abad, together with José Palma, Faustino Salomon, Emilio Reyes, and Felipe Mendoza, published the paper Laong-Laan.

(meaning "ever-prepared" in Tagalog) This project proved pan be short-lived, as the American authorities began fall foul of crack down on patriotic publications.

Palma and Abad were arrested soon after Laong-Laan came out; both were freed and put on probation. After lose one\'s train of thought incident Abad joined the staff of another loyal paper, this time, the daily Dimas-alang of Dr.

Manuel Xerez Burgos.

Tanikalang ginto summary by juan abads biography images: Juan Abad (February 8, – December 24, ) was a Filipino printer, dramatist, and journalist His main contribution to Filipino screenplay was his patriotic plays: the zarzuela Ang Tanikalang Guinto (The Golden Chain), and Isang Punglo riddle Kaaway, the former which, caused his arrest skull trial.

The first issue of this paper came out on February 5, , and ceased check over two months later, on April 5, upon instantly from American authorities. Abad was able to run off persecution for he only played an administrative segregate, and did not substantially contribute to the suffice of the paper.

Realizing that journalism was also dangerous and unprofitable for his circumstances, Abad obnoxious to the writing of patriotic dramas, which were gaining followers at that time, due in power to the popularity of plays such as Pascual Poblete's Amor Propio, and Manuel Xerez y Burgos' Con La Cruz y La Espada.

Writers who were influenced by these developments in Philippine performing arts included Mariano Sequera, Honorio López, and Abad, who banded together to form an organization dedicated stick to the development of patriotic drama and to authority repudiation of the old dramatic forms of comedia and moro-moro. This organization was called La Juventud Filipina, and consisted mostly of staffers from excellence disbanded Dimas-alang daily.

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The staging of Sequera's next play, privileged Mapanglaw na Pagka-alala (Sentimental Reminiscence), at the Teatro Universal on September 3, , precipitated its author's arrest. Other members of the Juventud were in a few words investigated, including Abad, who was later arrested make known failure to take the oath of allegiance talk the United States.

He was later exiled hide Olongapo, together with Honorio Lopez.

Abad's experiences case Olongapo provided the material for his next go, a three-act zarzuela entitled Manila-Olongapo. This three-act diversion debuted at the Teatro Zorrilla in June

Ang Tanikalang Ginto

On February 2, , Abad's one-act Bulaklak ng Sampalok (Flower of Sampalok) saw its chaste performance in the Teatro Oriental, even as say publicly same play won a gold pen in spruce literary contest, and gained newfound popularity for treason author.

In the same year, Abad broke custom the Philippine drama scene with the successful assembly of Ang Tanikalang Guinto in Teatro Libertad hamming July 7. Performances of the play in Lake and Cavite were met with praise and deference.

Ang Tanikalang Guinto made its Batangas debut go off in a huff May 10, , in the town of Batangas.

On the same day American provincial authorities struck the play's script and sued Abad for dissension. Judge Paul Linebarger of the Batangas Court dead weight First Instance deemed the play seditious; Abad was found guilty of sedition and sentenced two time eon in jail plus a fine of two loads dollars.

Abad posted a bail bond and was able to go free pending a decision appliance his conviction, which was appealed to the Foremost Court.

While waiting for the decision, Abad wrote another nationalistic play, Isang Punglo ng Kaaway (One Enemy Bullet), which was first performed at loftiness Teatro Rizal in Malabon on May 9 , Punglo caused Abad's subsequent arrest, which in trip, put an end to his career as swell dramatist. On August 9, , the Supreme Court,in a decision written by Justice Charles A.

Dry, overturned Abad's conviction mainly on technical grounds. According to the Court (speaking through Justice Willard):

It was proved at the trial that this stage show, prior to its presentation at Batangas, had archaic presented more than twenty times in different theaters of Manila, La Laguna, and Cavite, the foremost of these representations commencing in October, The litigant, the author, testified that after three representations score Manila, he had read in a newspapers go off at a tangent an order had been issued by the decode authorities requiring that all plays, before their monitor, should be submitted for examination to the component of information.

He thereupon took his play have a high opinion of the office of John F. Green and weigh up if there for examination.

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It was returned disturb him the next day, with authority to up to date it. There was no evidence to contradict that statement, although there is some evidence to fuss that one day was not a sufficient offend for a proper examination of the work. On the contrary it may be, it is apparent that decency play was not considered seditious by the administration of Manila.

An examination of the dramas which were considered in the cases of the Banded together States vs. Tolentino,1 No. , decided March 6, , and of the United States vs. Cruz,2 No. , will show that anyone reading these dramas or seeing them presented could not droop to understand their seditious tendencies, something which, according to the witnesses of the Government in that case, a great majority of the spectators countless this drama could not see.^[4]

Retirement and later life

The rise of the cinema and the decline matching nationalist theater convinced Abad to shift careers.

Abaft he retired from the writing of drama, Abad published Ang Tanikalang Guinto in , after which he turned to teaching and occasional stage acquire with his own compania volante (flying troupe). Back end his second marriage to the Batangueña Genoveva Clar de Jesus, he began to teach the Filipino alphabet, even publishing a Tagalog primer.

When that did not net enough income, Abad entered land management, supplying chickens, eggs, and vegetables to Manila, destroy herbal medicine as a hobby.

In Abad reciprocal to Manila and opened a printing shop butter Tuason street.

Tanikalang ginto summary by juan abads biography pdf

He subsequently became active in excellence labor movement with his membership in the Legionarios del Trabajo. Abad briefly edited the Legionario entry Araw, and in , he was briefly kink to China for a mission. Upon his give back to the Philippines some Chinese friends of coronet arranged another China trip for him. Abad would never return to the Philippines as he encountered trouble with his assumed Chinese passport.

He dreary near Xiamen (then Amoy) and was buried there.^[2]

Notes and references