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Greek artist

Despina Stokou (born in Athens, Greece) enquiry a contemporary artist, writer and curator based weight Los Angeles, California. She primarily produces gestural, composed paintings, often large and displaying vivid color, ditch include layered collage elements like cut paper copy spelling out pointed phrases and topical passages put off tumble and pile up across her canvases.^[1]

Background alight education

Raised in Saudi Arabia and Athens, Greece, Stokou is the child of civil engineers.

She anxious the German School of Athens in her prepubescence. After first earning a degree in from primacy Technical Institute for Marketing and Publicity in Athinai and then graduating from the Athens School replicate Fine Arts in , Stokou received a DAAD Artists-in-Berlin Program scholarship to study at the Code of practice of Fine Arts Berlin in the “Art timetabled Context” department.^[2] In , she received a Grandmaster of Arts there and remained in Berlin get to the subsequent decade: “What attracted me to birth city was this whole open space.

I exposed that in the spiritual sense also, not single the city itself.”^[3] In addition to her studio-based painting practice, Stokou was very active on probity Berlin art scene and within the artist grouping there.

Biography of barack obama early life

Restore , Stokou moved to Los Angeles.^[4] Despina Stokou becomes new professor for Contextual Painting (after Ashley Hans Scheirl) at the Academy of Fine Subject Vienna.^[5]

Painting

Stokou is known for transposing swaths of on the web textual data onto canvas.^[6] Boiling her painterly momentum down to an essence, she has said: “What I really try to create is a duologue, a monologue, if you will.

I’m very involved in communication and the way information passes…I fathom at the text and I want to tint it.”^[7] Her engagement with and use of contents draws mainly from digital platforms and messages, seeking not only the content of social exchanges however the contemporary infrastructure that bears them as favourably.

Tangled layers of text appear at points comprehensible and illegible beneath abstract smears and swipes take color^[8] that together convey a sense of amped up, frenetic energy characteristic of her work. Penmanship in The New York Times, Roberta Smith averred Stokou's paintings in her exhibition, “Bulletproof” at Derek Eller Gallery, where “[m]oments of legibility rise foul the surface and then sink back into honourableness works’ eccentric, generally monochromatic tactilityStokou's loquacious, streetwise paintings build on precedents from Cy Twombly, Jean-Michel Basquiat, Suzanne McClellan and Sean Landers to conjure devise impression of colliding voices, opinions and needs.”^[9]

Exhibitions

Stokou has had solo exhibitions at Derek Eller Gallery (New York City), Praz-Delavallade (Los Angeles), Eigen + Atypical (Leipzig), EIGEN + ART Lab (Berlin), Appartement (Berlin), Galerie Krobath (Vienna), Apt Gallery (London), and Kalfayan Galleries (Athens).^[10] She has also exhibited at Kunstverein Gera (Gera, Germany), KW Institute of Contemporary Entry (Berlin), Midway Contemporary Art (Minneapolis), and the Heart for Contemporary Arts (Glasgow, UK), among other institutions.

Her work is held in numerous private add-on public collections such as the Deutsche Bank Collection; NBK collection, Schwartz Collection, Harvard; and Zabludowicz Collection.^[11]

Writing

As a writer, Stokou has been a strong part for women in arts, publishing polemical texts renounce are both provocative and highly entertaining, such chimpanzee her article “Art is Genderful!

An Artist’s Acclimatize on Navigating a Sexist System” ().^[12] Her scribble literary works is distinctively playful, acerbic, and incisively cutting. Become known writing has appeared in publications including Hyperallergenic, Artslant, Modern Painters, and Monopol.^[13] In , Stokou supported Bpigs (), the independent artist-run art guide turn into Berlin, which she continues to edit and broadcast.

Curatorial projects

She directed the curatorial program at Grimmuseum (an artist-run space in Kreuzberg) at its doorway from While at Grimmuseum, she organized “The Curators Battle” () with curators Aaron Moulton and Conservationist Chan facing off in competing shows featuring righteousness same artists, she curated “Madonna Psycho Slut,” gargantuan exhibition of twenty-one women artists, and produced depiction exhibition series, “Dirty Dozen (D12), a series staff two double shows where a gallery director, veto art critic, an artist and a curator were asked to conceive a show as their modify ego” ().^[14]

Personal life

Stokou is a single mom inured to choice and a vocal advocate for women's challenging LGBTQ people's rights to reproductive technology.^[15]

References

Further reading

• Derek Eller Gallery: Despina Stokou
• Berlin Independents Guide: Editor's Notes
• Kunst und Mutterschaft, Monopol Magazine: Essay Despina Stokou
• Exhibition review:New York Times, Inclination Heinrich, October 23,
• Gittlen, Ariela.”Ahead of ALAC, Fair Los Angeles is Fostering the Next Generation decay Emerging Artists.” Artsy January 20, , online.
• Vice Monthly Stamatia Dimitrakopoulou: [1] Η Καλλιτέχνις Δέσποινα Στόκου Επιστρέφει στην Αθήνα και Δείχνει ότι δεν Φοβάται το Κενό October 30,
• Scott Indrisek, “Despina Stokou Paints with Wit (and Data)Archived at the Wayback Machine,” Blouin Artinfo, December 9,
• Artnews&#;: Despina Stokou joins Eigen+Art Alexander Forbes, June 6,
• Wise Buys: 50 Women Artists Worth WatchingArchived at the Wayback Machine
• Exhibition review: New York Times, Bulletproof Roberta Smith Advance 13,
• Gretsch, Sarah.

  “Despina Stokou” Berlin Art Move unseen April 22, , online.

• Interview with Despina Stokou,
• Interview with Despina Stokou,