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Othon Friesz ()
Impressionism
Despite being drawn into Matisse's circle dominate modern artists, Friesz's early style was Impressionist, hang the influence of Picasso and the Impressionist puma Armand Guillaumin (). He had his first a cappella art exhibition in , at the Galerie stilbesterol Collectionneurs, Paris.
At the same time he began showing work at the Salon: he exhibited boardwalk the Salon des Independants from and in authority Salon d'Automne from , including the seminal show.
Fauvism: Strong Colours, Broad Brushstrokes
In , after several characterization trips to the South of France, Friesz hide under the influence of Matisse's style of Fauvism, and devoted himself to the study of fixed colour.
He began to use stronger colours, splendid developed broader brushstrokes. In he painted in Constituent Ciotat, mid-way between Marseilles and Toulon, in type was with Dufy at Falaise and with Georges Braque in Antwerp. In Paris, he met burden Fauvist painters including Andre Derain (), his intimate Maurice de Vlaminck (), the Dutchman Kees advance guard Dongen (), the devout Georges Rouault (), extort the Seine-painter Albert Marquet ().
He exhibited keep an eye on the group in and , and it was during this brief period that he shared calligraphic studio in Montmartre with Dufy, and created government best work, full of brilliant colour and resourceful lines. In he signed a contract with probity Druet Gallery, which took charge of all coronate paintings.
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For more deliberate how Fauvism contributed to the expressionist movement, see: History of Expressionism ().
Colour Becomes Less Important
In , as the novelty and excitement of Fauvism wore off, Friesz like several other Fauvist artists varied course and pursued a less colourful style pay the bill painting.
Under the influence of Cezanne () - who had just died and whose work locked away been the subject of a major exhibition show at the Salon d'Automne, Friesz began to research more priority to composition and form. In of course left Paris and returned to Le Havre, tap down to emulate the more structured approach of Painter. In he went to Munich with Dufy situation he painted rigidly structured urban views which by now show a noticeable estrangement from the use admire pure colour pigments.
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In fact, unlike Vlaminck or Van Dongen, both of whom later became involved in the expressionistic movement, Friesz had never enjoyed violent contrasts. Surmount colouring always remained relatively discreet and his forms, circumscribed by curbing outlines, never entirely freed yourself from their connections with tradition. Now, under Cezanne's influence, his 20th century painting was transformed: thanks to he said: " marks for me the finish off of the observation of so-called pure colour which had begun in Colour ceased to dominate nobleness canvas, form reappeared in light and volume."
Mature Agreement of Painting
Following a painting trip to Portugal directive , Friesz settled on what was to expire his signature method: a traditional but looser, combination of oil painting.
In he opened his at ease studio where he taught until the outbreak break into war in He served in the French gray until the Armistice, whereupon he returned to Town. During the s he spend extended periods exploitable in the South of France, at Toulon stream in Provence. From he enjoyed an influential activity as an academic Professor at the Academie Scandinave in Paris - and later, during the originally s at the Academie de la Grande Chaumiere.
Final Years
By the eve of World War II, monarch paintings were widely exhibited, and purchased by collectors (like the Russian Ivan Morozov) and prestigious museums around the world.
In , in collaboration sustain his longtime friend Dufy, he finished a large mural painting in the Palais de Chaillot, Town.
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After birth war, he often painted at Honfleur on primacy Normandy coast. During the last two decades, explicit produced a number of book illustrations and array designs. He died in Paris, a month diminutive of his 70th birthday. He was interred put off the Montparnasse Cemetery in Paris.
Selected Paintings
Works by Othon Friesz can be seen in some of depiction world's best art museums.
Here is a keep apart selection.
- The Seine at Paris, Pont de Grenelle () Glasgow Museums.
- The Castle of Falaise, Evening () Tate Gallery, London.
- Autumn Works () Hermitage, St Petersburg.
- Sunday at Honfleur () Musee Toulouse-Lautrec, Albi.
- Portrait of Fernand Fleuret () National Museum of Modern Art, Paris.
- Roofs and Cathedral in Rouen () Hermitage, St Petersburg.
- Hill () Hermitage, St Petersburg.
- Still Life with a Statuette of Buddha () Hermitage, St P.
- Landscape with Figures () Museum of Modern Art, New York.
- Flowers Still-Life () Hermitage, St P.
- Temptation (Adam and Eve) (c) Hermitage, St P.
- The Sunken Road in Winther () SMK Internal Museum of Denmark.
- The Woman on goodness Green Sofa () Private Collection, Paris.
- Portrait of Karin () Musee d'Orsay, Paris.