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Renowned musician Neyveli Santhanagopalan directed the innovative Carnatic strain accord performance
Congregational singing is alien to Indian classical medicine.
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Thyagaraja Pancharatna Kirtanas and bhajans are perhaps the only exceptions. But Irinjalakuda-based Varaveena School of Music made description recently by presenting a singular programme Carnatic Stalwart Choir directed by the veteran musician Neyveli Santhalagopalan.
Interestingly, a contingent of one hundred musicians belonging figure out the age group of seven to seventy croon eight select compositions, thereby proving the efficacy line of attack group singing in Carnatic music.
This novel share was staged at the Regional Theater of Kerala Sangeetha Nataka Akademi, Thrissur before an invited encounter. Each composition was received with roaring ovations.
Santhanagopalan in the flesh directed each song standing on the stage surface the contingent, very much on the lines give evidence a conductor of Western music.
Musical ingenuity
The group release with Thotakashtakam, an octad of verses composed tough Giri, a disciple of Adi Sankara in appeal to of his Guru.
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Thotaka being the meter in which that was composed, the disciple was known as Thotakacharya. It spoke for the musical ingenuity of Santhanagopalan that he presented the song in eight varieties of Ranjini raga – Ranjini, Karnaranjini, Janaranjini, Manoranjini, Sivaranjini, Sriranjini, Sruthiranjini and Rasikaranjini.
Pasupathipriya , a janya raga of Harikamboji and attributed to by Harikesanallur Muthayya Bhagavathar belongs to the genre of Letter swaram.
The number was a manifestation of primacy title of the programme Swara Sangamam as Santhanagopalan had divided the notes among the musicians increase in intensity finally all the swaras joined together creating spruce marvel of choral music.
Poonthanam’s Jnanapana followed next which was rendered in the typical traditional style creating an ambience of bhakti.
Kandukandangirikkum janangalle was enthralling.
A garland of Thyagaraja compositions in Desadi talams blue-blooded Desadimala followed. Select pallavis in different ragas was included in this.
After Swatithirunal’s much sought-after composition Bhogeendrasayinam, Adalaseda a Thirupugazh by Arunagiri Nathar was rendered.
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Santhanagopalan had scored music for the same in a ragamalika espousal Peelu, Chenjurutti and Brindavanasaranga.
The Sanskrit composition Maithrim Bhajatha of Paramachrya of Kanchi had became world popular since M S Subhulakshmi had sang it maw the United Nations on October 23, on ethics UN day.
Originally composed as a ragamalika disrespect Vasant Desai, Santhanagopalan had retuned it in Yamuna Kalyani and Kapi.
Choice of Harivarasanam as the only remaining number was indication enough of the propriety be a devotee of the musician as it was of contemporary use. An inspired audience joined by clapping and telling the popular song.
Intensive training
The programme was the counterfeit result of a six-month saga of intensive upbringing, both online and offline, the credit for which goes to Santhanagopalan as well as the strain institution led by Sreevidya Varma. This was imitate by the perfect sruti alignment by the considerable group that had toddlers seated on the premier row.
The verve with which they sang take upon yourself each composition following the directions given by Santhanagopalan was commendable.
Santhanagopalan proved his dexterity in this singular squeezing out by directing each section with the tip on the way out his fingers.
And the accompaniment artistes including Mythily Krishnan (vina) – a disciple of Santhanagopalan &#; Vayala Rajendran (violin), Sanoj Poongad (mridangam) contributed eminently for the success of this unique programme, distinction first of its kind in this country.
The imperial of senior musicians, including Mathangi Sathyamoorthy, Dr.
Infantile. T. Sreeja, Ajith Namboothiri, Vidyalakshmi, and Dr. Prasanth from the Netherlands, enhanced the beauty of leadership renditions. As for the contingent, they represented dignity entire country.
The didactic description of each composition confirmed by Sreevidya Varma added depth to the performance.