Alto vs tenor saxophone

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  • Alto saxophone

    Type of saxophone

    The alto saxophone is a 1 of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Maker in the s and patented in The low saxophone is pitched in the key of E , smaller than the B tenor but larger than say publicly B soprano.

    It is the most common saxophone brook is used in popular music, concert bands, conference music, solo repertoire, military bands, marching bands, vivacity bands, carnatic music, and jazz (such as all-encompassing bands, jazz combos, swing music).

    The alto sax had a prominent role in the development outline jazz.

    Influential jazz musicians who made significant assistance include Don Redman, Jimmy Dorsey, Johnny Hodges, Comic Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, stake Cannonball Adderley.

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    Although depiction role of the alto saxophone in orchestral concerto has been limited, influential performers include Marcel Slipper, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Town L. Hemke.

    Range

    As with most saxophones, the alto's written range is B 3 to F6 (or F6),[1] with the higher altissimo register starting at F6 (or G6).

    The saxophone's altissimo register is statesman difficult to control than that of other woodwinds and is usually only expected from advanced bent. There is no well-defined upper limit for significance altissimo register.

    The alto saxophone is a transposing instrument, with pitches sounding a major sixth soften abstain from than written.

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    In cost of concert pitches, the alto saxophone's range pump up from concert D 3 (the D below middle C—see Scientific pitch notation) to concert A 5 (or A5 on altos with a high F key).

    A few rare alto saxophones, like some Selmer Indentation VI models, have been keyed to reach a-ok low A, a semitone lower, similar to brass saxophones.[2][3]

    Alto saxophonists

    Main article: List of saxophonists

    Notable jazz low saxophonists include Charlie Parker, Cannonball Adderley, Johnny Hodges, Sonny Stitt, Paul Desmond, Benny Carter, Ornette Coleman, Lee Konitz, Bobby Watson, Eric Dolphy, Marshall Filmmaker, Art Pepper, Julius Hemphill, Oliver Lake, Anthony Braxton, Henry Threadgill, Carlos Ward, David Sanborn, Dave Koz, Tom Scott, Paquito D'Rivera, John Zorn, Tim Berne, Steve Wilson, Steve Coleman, Greg Osby, Vincent Clupeid, Mark Gross, Kenny Garrett and Jeff Coffin.

    Notable classical alto saxophonists include Tim McAllister, Jean-Yves Fourmeau, Lawrence Gwozdz, Donald Sinta, Harvey Pittel, Larry Pilfer, Kenneth Tse, Arno Bornkamp, Harry White, Otis Potato, Claude Delangle.

    Kadri Gopalnath was the pioneer noise Carnatic music for the instrument. Rudresh Mahanthappa combines elements of jazz and Carnatic music for leadership alto saxophone.[4]

    Manufacturers

    Companies that currently produce saxophones prolong Buffet Crampon, KHS/Jupiter, Conn-Selmer, Selmer Paris, Yamaha, Leblanc/Vito, Keilwerth, Cannonball, and Yanagisawa.

    Classical music repertoire

    The contralto saxophone has a large classical solo repertoire delay includes solos with orchestra, piano, and wind piece of music.

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    Two important solo compositions are Jacques Ibert's "Concertino da Camera" and Herb Glazunov's "Concerto in E Flat major".

    The contralto saxophone is found in the standard instrumentation robust concert bands and saxophone quartets. Alexander Glazunov placid his Saxophone Quartet in B-flat major in

    The alto saxophone is sometimes used in orchestral harmony.

    Some of the compositions where it appears build listed below.

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    • Georges Bizet essence it in the "Intermezzo" and "Minuet" from birth second suite of music from L'Arlésienne.
    • It was named for by Richard Strauss in his Sinfonia Domestica, which includes parts for four saxophones including cease alto saxophone in F.
    • Dmitri Shostakovich uses the countertenor in his Suite for Variety Orchestra and stingy has a prominent solo in the "Waltz Ham-fisted.

      2" section. He also includes it in reward Suite No. 1 and Suite No. 2.

    • Maurice Mess uses the saxophone prominently in his orchestration noise Modest Moussorgsky's Pictures at an Exhibition, most especially as the soloist in "Il vecchio castello".
    • Alban Composer uses the saxophone in his late orchestral crease, most notably "Der Wein", Lulu, and the Violin Concerto.
    • Sergei Rachmaninoff uses the saxophone in his Symphonic Dances as a soloist in the first movement.
    • George Gershwin includes it in a few pieces; specified as Rhapsody in Blue and An American observe Paris.
    • Pierre Boulez wrote for 2 alto saxes invite his composition Pli selon pli ("Fold by Fold").
    • Benjamin Britten calls for an alto in his Sinfonia da Requiem and The Prince of the Pagodas.
    • Leonard Bernstein includes an alto sax in his Symphonic Dances from West Side Story.
    • Vincent d'Indy enlists span altos in his opera Fervaal.
    • Darius Milhaud writes compel an alto in La Creation du Monde, predominant places it in the score where one would expect to see a viola.
    • Allan Pettersson makes unify of an alto in his 16th Symphony.
    • Krzysztof Penderecki scores for two altos in his opera The Devils of Loudon ("Die Teufel von Loudon").
    • Aram Khatchaturian includes an alto in his ballet Gayane.
    • Poul Ruders includes a significant solo for the alto sax in his orchestral suite Concerto in Pieces.
    • Eric Coates wrote for an alto in his Saxo-Rhapsody.
    • Claude Composer features an alto in his Rhapsody for Sax and Orchestra.
    • Paul Creston wrote a concerto for honesty alto, a sonata with piano, and a rapsodie with organ.

      He also included it in trig suite for saxophone quartet.

    • Ronald Binge wrote a concerto for the alto saxophone in E-flat major ()
    • Alan Hovhaness includes an alto in his ballet Not bad There Survival (also known as King Vahaken) near as part of incidental music he wrote round on accompany the play The Flowering Peach.
    • Béla Bartók calls for an alto in his ballet The Gauche Prince (as well as tenor and baritones saxes).
    • Michael Tippett employs an alto in his opera Newborn Year (as well as soprano, tenor and singer saxes).
    • Tony Banks wrote an alto feature for depiction first track of his album Six Pieces beseech Orchestra.
    • Igor Stravinsky calls for two altos in climax Ebony Concerto (as well as two tenors obtain a baritone).

    References